Friday 9 October 2009

MIQUEL VIVES ARTÈS - R.I.P.

J'ATTENDRAI

Sadly, he passed away during the night of the 29th/30th of September. Curiously enough, it was his Saint's Day, Saint Michael.

He was well over eighty, probably ninety. Miquel Vives was my children's maternal grandfather, my father-in-law. I hadn't seen him in over 25 years, but I retain fond memories of us walking in the mountains of Vandellos, in Spain, or collecting olives on his land in those same mountains, and of our after-dinner conversations over a good glass of brandy and a strong "Faria", the Spanish cigar from Galicia.

I remember, especially, that night during the winter of '70/'71 when, driving up the mountain in a heavy snowstorm, his car got stuck. My two baby kids were in that car with their mother! Jaume, her brother, had to walk in the freezing cold and thick snow to the next village for help.
Miquel was an educated man with a vast and varied experience in a dozen different fields, ranging fron the Spanish Civil War, in which he participated, to running businesses, driving taxis, building and modernising houses and working the land.We quarelled back in '82 and never saw each other again, mainly because of his poor health, and also to avoid causing each other unnecessary stress. We did, however, respect each other. I am sure he will be sadly missed.

His favourite song was "j'attendrai" by Dino Oliveri and Louis Poterat/N.Rastelli. It's a French wartime song, based on an Italian song, that tells of waiting for one's loved one's return. Here it is, sung by Tino Rossi, courtesy of Youtube.com and maldoror26, thank you both.The song is, of course, quite old and so is the arrangement. Perhaps a more modern, and possibly more popular, version was Dalida's (1975), but this one, Tino Rossi's, retains a certain melancholic flavour which, I think, is particularly suitable for the occasion.


J'attendrai,le jour et la nuit, j'attendrai toujours
ton retour.
J'attendrai,car l'oiseau qui s'enfuit vient chercher l'oubli
dans son nid.
Le temps passe et court en battant
tristement
dans mon coeur si lourd.
Et pourtant, j'attendrai ton retour.
Les fleurs palissent, le feu s'éteint,
l'ombre se glisse dans le jardin.
L'horloge tisse des sons tres lent,
je crois entendre ton pas.
Le vent m'apporte des bruits lointains
que dans ma porte j'écoute en vain.
Hélas, plus rien,plus rien ne vient.
J'attendrai...(etc.)

Wednesday 23 September 2009

REGINA SPEKTOR AND GENIUS NEXT DOOR

This song (from her latest album "Far") was sent to me recently by my son. The lyrics haven't stopped haunting me since.

Regina Spektor, an American, Russian-born singer, has a lovely voice and apparently writes very poetic songs. This particular one, "Genius next door", has a very soothing piano, backing her remarkably cool voice. No real emotion, just stating matter-of-fact what must be a typical tragedy in our society.

Porridge for prison? Prison being the closed circle kids find themselves thrown in when they enter the "lake" - an apparently beautiful drug paradise/wonderland- and/or the jail they eventually end up in; but they don't care.

The neighbours avoid talking about it - can't draw attention to their community, house prices would fall, scandal, shame, etc. - or find excuses "enchantment, weather", whereas the media is constantly looking for precisely that sort of thing to sell more papers, more TV programmes, though they treat it as an everyday affair "coffee, doughnuts". The garbage collectors just limit themselves to clearing the rubbish (syringes, corpses, etc.)

The chorus line:"Hold in your breath 'till you come back up in full" = pot, etc.
Whereas the second time she adds "... you fool!" = warning. The two sides of the same coin.

The genius is the youngster who goes about his ordinary, excitement-free life, ignored by the other kids, but secretly envying them. In the loneliness of his private world he has to resort to his hands, "his secret", for sexual satisfaction and "to get high".

Various photos on the left.

For other interpretations of this song try the following web:
http://www.songmeanings.net/songs/view/3530822107858590066/

For more info on RS: http://www.youtube.com/user/spektography

For a full biography go to: http://en.wikipedia.org/wiki/Regina_Spektor

Spanish readers will find all, or at least most, of her songs translated here:
http://www.letrasyletras.com/cancion/559578/Regina-Spektor_Genius-Next-Door.html

Here's the video, courtesy of youtube.com and spektography (thank you), followed by the lyrics. Enjoy.

Some said the local lake had been enchanted,
others said it must have been the weather.
The neighbors were trying to keep it quiet,
but I swear that I could hear the laughter.
So they jokingly nicknamed it "the porridge",
'Cause overnight that lake had turned as thick as butter.
But the local kids would still go swimming, drinking,
saying that to them it doesn't matter.
If you just hold in your breath 'till you come back up in full.
Hold in your breath 'till you've thought it through, you fool.
The genius next door was bussing tables,
wiping clean the ketchup bottle labels,
getting high and mumbling German fables.
Didn't care as long as he was able
to strip his clothes off by the dumpsters
at night while everyone was sleeping
and wade midway into that porridge;
just him and the secret he was keeping.
If you just hold in your breath 'till you come back up in full.
Hold in your breath 'till you thought it through, you foolish child.
Ah! Ah!
In the morning, the film crews start arriving
with donuts, coffee, and reporters.
The kids were waking up hungover.
The neighbors were starting up their cars.
The garbage men were emptying the dumpsters.
Atheists were praying full of sarcasm,
and the genius next door was sleeping,
dreaming that the antidote is orgasm.
If you just hold in your breath 'till you come back up in full.
Hold in your breath 'till you thought it through, you foolish child.
Ah! Ah!

Monday 7 September 2009

PAVAROTTI

Two years ago, the world lost a magic voice, a voice that has enchanted millions of music lovers. Today, I'd like to remember Pavarotti not only as a great opera singer, but especiually as a man who managed to get close to the ordinary people with his repertoire of popular songs. I wonder if in heaven the angels have stopped singing in order to listen to him? WIKIPEDIA HAS AN EXTENDED BIOGRAPHY WITH SEVERAL LINKS. YOUTUBE, OF COURSE, HAS A VERY LARGE SELECTION OF HIS MUSIC.

I had the good fortune of being able to see him, together with Josep Carreras and Placido Domingo, in their last World Tour Concert on 13/7/1997 at Barcelona Football Camp; an unforgettable experience.




That was one of my favourite songs (sung by Pavarotti, of course, although in this case we also have Placido Domingo and Josep Carreras - three for the price of one!). Here are three more: two are popular Napolitan songs - "Mamma" and "Torna a Sorrento". The other one is an extraordinarily beautiful Aria, "Una furtiva lacrima". Check out the great Caruso's version at http://www.youtube.com/watch?v=t936rzOt3Zc





Tuesday 30 June 2009

MICHAEL JACKSON - A TRIBUTE

So much has been said about him that there is very little I can add; only my own impressions. Sadly, he ended up a grotesqque caricature of what I considered to be a real genius.

Unlike the other "Kings" - Elvis (rock) or Sinatra (swing) or Lennon (composer) - in addition to having a good voice and a talent for acting (see his thriller video) he could dance ..... and HOW he could dance! The man literally re-invented dancing - especially group dancing - and gave it the modern look. His choreographies were impeccable, creative, imaginative. His influence over stage dancing today is undeniable.

I want to remember him, though, as he was, in his original self, not as the surgically remastered figure that emerged in later years. That's why I chose this song, Ben. Sung in the early seventies - he was still singing with the Jackson Five then but was beginning to make a name for himself - it features the original Michael Jackson, with an excellent, though slightly immature voice. It also shows a really touching innocence which, unfortunately, was not going to last very long. I've often wondered if he didn't see himself as Ben and yearned for someone to sing this song to him.


Ben, the two of us need look no more / We both found what we were looking for /
With a friend to call my own / I'll never be alone /
And you my friend will see / You've got a friend in me (You've got a friend in me)
Ben, you're always running here and there (Here and there)
You feel you're not wanted anywhere (Anywhere)
If you ever look behind / And don't like what you find /
There's something you should know / You've got a place to go (You've got a place to go)

I used to say, "I" and "me" / Now it's "us", now it's "we" (I used to say, "I" and "me") (Now it's "us", now it's "we")

Ben, most people would turn you away / I don't listen to a word they say /
They don't see you as I do / I wish they would try to /I'm sure they'd think again / If they had a friend like Ben (A friend) Like Ben (Like Ben) Like Ben.

Thursday 14 May 2009

FRANZ FERDINAND

I suppose we all did something stupid at some time or other in our life, something we regret having done, something we probably wish we hadn´t done.

I remember a boat moored on the Thames. We were about 20 at the time and we'd had quite a bit to drink. We thought it would be fun to watch it drift down the river. So, we uncoiled the rope and gave it a little push. We then watched, first amused, and then horrified as the current gently steered it to the middle of the river towards rhe lock that loomed a short distance away in the darkness. We ran like there was no tomorrow.

SO WHO, AMONG ALL THE RIGHTEOUS PEOPLE OUT THERE WILL PICK UP THE FIRST STONE AND THROW IT.

I like this song. I like its message. I like the rythm, the music, the drive. I especially like the video, giving the impression they're walking on a treadmill in a gym, but in a very determined fashion. Good on you, lads. Sock it to them! as we used to say in my time.
Do the lyrics really need explaining? You can find some interesting comments on:

Here's the video, followed by the lyrics.
The Fallen - Written by: Al Bana, Al Shamobi, Marchand

Wednesday 25 March 2009

LILLY ALLEN

Born in West London, this 23 year old singer was “discovered” by a teacher while she was singing an “Oasis” song in the school playground. A childhood full of contrasts – she lived in a council house but went to expensive public schools – might have been the reason for her excesses in drinking and smoking, both of which got her expelled from school and into trouble later on in life. (See full biography at http://en.wikipedia.org/wiki/Lily_Allen

Her fear that the world as we know it is doomed, that creativity will eventually disappear and that sponsorship will pay for everything is clearly evident in her latest song “The Fear”. This last point is particularly worrying when you see famous people, such as actors, public figures, sportsmen and sportswomen, advertising from shampoo to cars. Surely these people earn more than enough from their activities. They do not need to advertise and take away the bread from honest, hard-working models and advertising actors and actresses, do they? Her statement in the song that taking your clothes off is not shameful is a clear indication that our moral values have suffered a serious battering. Having taken your clothes off, what do you do next to attract attention; have sex in public? Well that’s already happening on internet, with webcams, and on our mobile phones, with videos cameras. God help the coming generations.

Here’s The Fear. Video (courtesy of youtube.com) followed by the lyrics. Enjoy.


I want to be rich and I want lots of money.
I don´t care about clever I don´t care about funny.
I want loads of clothes and fuckloads of diamonds.
I heard people die while they are trying to find them.

I´ll take my clothes off and it will be shameless,
‘Cuz everyone knows that´s how you get famous.
I´ll look at the sun and I´ll look in the mirror;
I´m on the right track yeah I´m on to a winner.
[Chorus]
I don´t know what´s right and what´s real anymore.
I don´t know how I´m meant to feel anymore.
When we think it will all become clear,
‘Cuz I´m being taken over by The Fear.

Life’s about film stars and less about mothers;
it´s all about fast cars and cussing each other.
But it doesn´t matter cause I´m packing plastic.
and that´s what makes my life so fucking fantastic.

And I am a weapon of massive consumption,
and it´s not my fault it´s how I´m programmed to function.
I´ll look at the sun and I´ll look in the mirror;
I´m on the right track yeah we're on to a winner.

Friday 13 March 2009

BARBRA STREYSAND

What an artist! Pure magic in her voice… and such lovely songs! She has also managed to do something quite unique ….blend her voice perfectly with that of other equally great and gifted singers. I’m thinking especially of Barry Gibb (Guilty), Celine Dion (Tell him) and Neil Young (You don’t bring me flowers). Her version of Memories (from the musical “Cats”) is absolutely stunning. And what about “The way we were”? I could go on forever. Thank you, Barbra, for those wonderful, magical, unforgettable and unrepeatable evenings by the fireside, listening to your absolutely enchanting voice.
Here she is, singing “Run Wild”, one of my favourites, from the album “Guilty”. Words & music by the Gibb brothers.

I wandered into your wonderland with eyes open wide.
You turned me into your yesterday, but you will remain inside
of me, like I care for you,
Oooh, I care for you.
Run wild,
out on the edge of time, child,
carry your dreams away, love.
No one can hurt you now,
for you are an island.

I may be broken, but understand, my love will get by.
There will be others along the way, my love, they will try
to care for me like I care for you,
Oooh I care for you.
Run wild,
out on the edge of time, child,
carry your dreams away, love.
No one can hurt you now,
for you are an island.

Sunday 25 January 2009

ELVIS


A belated Happy New Year to all. I thought it would be nice to inaugurate it with an Elvis Presley song. I was, and remain, one of his greatest fans. The outstanding quality of his voice, his musical range, the warmth he transmits, make him, as far as I am concerned, the best pop/rock singer ever.

I especially loved his early songs. Then he started to make those awful movies! Some of the songs in them were quite good, though. Nevertheless, my all-time favourite is not one you hear very often. In fact I'm prepared to bet most of you have never heard it. It's called "There's always me" and it really is one the most beautiful and tender songs I've ever heard. I hope you enjoy it as much as I do.

Written by Don Robertson, it was recorded by Elvis in 1961 in Nashville.
I couldn't find a "live" video, but this one's not bad. The pictures are relaxing and the words on the screen are clear. The sound is very good. Thanks YOUTUBE, and thanks Jokarilon.